In the first act, The Fall of Oedipus, the curtain rises to Tom Pye’s
impressive towers of stones held in place by wire caging. Stricken by
plague, the citizens of Thebes demand that Oedipus consult the oracle at
Delphi to discover why they have displeased the gods. As Roland Wood’s
Oedipus hears witnesses from the past with growing unease, Queen Jocasta
(Susan Bickley) makes light of the prophecies of the revered sage
Tiresias - bass Matthew Best cross-dressed in brocade gown, bandeau and
bun. Jocasta’s suicide and Oedipus’s self-blinding when all is revealed
bring a fittingly gory climax to the act.
For some reason, possibly to do with the staging, the next two tragedies are played in reverse order of time, the play Antigone preceding The Death of Oedipus. The towers, cleverly lit by Jean Kalman, resemble skyscrapers at night. Jocasta’s brother Creon (Peter Hoare in splendidly creepy form) has seized power and turned Thebes into a police state. Antigone’s defiance of Creon in burying her brother Polynices (Jonathan McGovern) leads to her being walled up alive.
For some reason, possibly to do with the staging, the next two tragedies are played in reverse order of time, the play Antigone preceding The Death of Oedipus. The towers, cleverly lit by Jean Kalman, resemble skyscrapers at night. Jocasta’s brother Creon (Peter Hoare in splendidly creepy form) has seized power and turned Thebes into a police state. Antigone’s defiance of Creon in burying her brother Polynices (Jonathan McGovern) leads to her being walled up alive.

